About
About
 
"I am made from the soil and the air feeds my fire. Today I’m a tree, my lower body rooted, my upper body sunkissed, moving like the water flowing through. I grow, play, invite and create. Together we are a forest, as our roots are holding hands."

Alexandra Loembé (1997) is a Congolese-Russian dance artist. In 2020 she completed the Dance Teacher training at the Academy for Theater and Dance. In addition, she further trained at Ecole des Sables (Senegal), with Boukje Schweigman (Schweigman&) and the SNDO (ATD/AHK). 

 In addition to following her path as a new maker, Alexandra is active as a dancer, performer, teacher and interdisciplinary artist. Alexandra currently works with Kleintjekunst and Nederlands Dans Theater (talent development and education) and Stichting de Vrolijkheid. She also works as a Physical Practice teacher and coach for the Dance Teacher course (ATD/AHK), guest teacher at AKI ArtEZ and teaches classes/workshops in various studios. 

As a choreographer, Alexandra has created work during residencies at Het Huis Utrecht, Podium Mozaïek, Ecole des Sables and Platform Nexus and is supported by Janivo Stichting, Cultuurfonds and the Amsterdam Fund for the Arts.

Alexandra has collaborated with De Dansers (education and dancer), the MSA IVKO (teacher and maker), PACT+ Dans at the ROCvA (teacher), ICK (assistant repetitor), Theater de Meervaart (teacher), Dayna Martinez Morales (dancer and co-creator) and Chassé Dance Studios (teacher). In addition, Alexandra has offered workshops at De Bewustzijnschool, at The Roots Movement, Mahar á Raham and for sheshe retreats. In 2023/2024 she co-created and played in "Sporen van Haar", directed by Berith Danse.
  • Vision and exploration

    Alexandra Loembé is influenced by both African and European contemporary and urban dance, multisensitivity and curiosity. Her creations are deeply rooted in connectivity with nature and the world around us, while simultaneously allowing people to re-experience their inner world. Characteristic of her work is her tactile, associative, intuitive, and playful approach. From the depths and darkness of personal themes, she illuminates collective life experiences. Her performances lie at the intersection of dance and interdisciplinary work, interacting with the present moment and inviting the audience to reflect on the present, past, and future.


    As an artist of the African diaspora, her interests lie in identity, symbolism, anthropology, botany, ecology and physical geography, exploring the interconnectedness of it all. 

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